Opera Portraits Hamburg – Tokio – Oslo

Publius Tokyo – Oslo – Hamburg by Nikolaus Brade. — Publius Tokyo – Oslo – HamburgHamburg, La Clemenza di Tito, Nikkikai Tokyo, Oper, Opera, Oslo, Peter Konwitschny Helmut Brade, Portrait, Staatsoper Hamburg, Stage, Tokio, Tokyo

chorus Tokyo – Hamburg by Nikolaus Brade. — Chorus Tokyo – HamburgHamburg, La Clemenza di Tito, Nikkikai Tokyo, Oper, Opera, Oslo, Peter Konwitschny Helmut Brade, Portrait, Staatsoper Hamburg, Stage, Tokio, Tokyo

chorus Oslo – Hamburg by Nikolaus Brade. — Chorus Oslo – HamburgHamburg, La Clemenza di Tito, Nikkikai Tokyo, Oper, Opera, Oslo, Peter Konwitschny Helmut Brade, Portrait, Staatsoper Hamburg, Stage, Tokio, Tokyo

Anius Hamburg – Tokyo – Oslo by Nikolaus Brade. — Annius Hamburg – Tokyo – OsloHamburg, La Clemenza di Tito, Nikkikai Tokyo, Oper, Opera, Oslo, Peter Konwitschny Helmut Brade, Portrait, Staatsoper Hamburg, Stage, Tokio, Tokyo

chorus Hamburg – Oslo – Tokyo by Nikolaus Brade. — Chorus Hamburg – Oslo – TokyoHamburg, La Clemenza di Tito, Nikkikai Tokyo, Oper, Opera, Oslo, Peter Konwitschny Helmut Brade, Portrait, Staatsoper Hamburg, Stage, Tokio, Tokyo

emperor Titus Oslo – Tokyo – Hamburg by Nikolaus Brade. — Emperor Titus Oslo – Tokyo – HamburgHamburg, La Clemenza di Tito, Nikkikai Tokyo, Oper, Opera, Oslo, Peter Konwitschny Helmut Brade, Portrait, Staatsoper Hamburg, Stage, Tokio, Tokyo

chorus by Nikolaus Brade. — ChorusHamburg, La Clemenza di Tito, Nikkikai Tokyo, Oper, Opera, Oslo, Peter Konwitschny Helmut Brade, Portrait, Staatsoper Hamburg, Stage, Tokio, Tokyo

chorus Oslo – Tokyo – Hamburg by Nikolaus Brade. — Chorus Oslo – Tokyo – HamburgHamburg, La Clemenza di Tito, Nikkikai Tokyo, Oper, Opera, Oslo, Peter Konwitschny Helmut Brade, Portrait, Staatsoper Hamburg, Stage, Tokio, Tokyo

Opera Portraits Hamburg – Tokio – Oslo

This series was produced in the context of Peter Konwitschny’s production of La Clemenza di Tito. The portraits show members of the ensemble and the choir as well as soloists. As the production went from Hamburg to Tokio, then to Oslo, different characters appeared in the same costumes, which convincingly demonstrates the opera’s power as a cultural export.

Diese Serie entstand im Zusammenhang mit meiner Arbeit zu Peter Konwitschnys Inszenierung von La Clemenza di Tito. Die Portraits zeigen Mitglieder des Ensembles, Solisten und Chormitglieder. Da die Inszenierung nacheinander in Hamburg, Tokio und Oslo aufgeführt wurde, traten in denselben Kostümen sehr unterschiedliche Charaktere auf, die den Kulturexport der Oper sehr anschaulich widerspiegeln.